- Onimusha: Dawn of Dreams soundtrack: A cataloged original soundtrack with 28 listed files.
- Core listening data: The available listing reports approximately 1 hour and 12 minutes of music.
- Confirmed tracks: “Main Theme” and “Blue Oni Prologue ~ Blue Oni Theme” are identified by name.
- Music credits: Hideyuki Fukasawa is credited for music, with Jamie Christopherson handling cinematic composition and orchestration.
- Reference video: Soki’s theme is available as a focused YouTube listening reference.
Onimusha: Dawn of Dreams soundtrack overview
The Onimusha: Dawn of Dreams soundtrack is the original music collection associated with Capcom’s PS2 title, also known in Japanese as Shin Onimusha DAWN OF DREAMS. The cataloged release is identified as a soundtrack album published by Suleputer, with 28 files and a reported total duration of about 1 hour and 12 minutes.
The available catalog information connects the album to the Shin Onimusha Dawn of Dreams Official Complete Works book. That detail makes the soundtrack more than a simple in-game music list: it is also presented as part of the wider reference material surrounding the title.
Video Highlights:
- Soki’s character theme is the focus of the reference video.
- The video provides a direct listening point for one named theme.
- It is useful when organizing character-focused soundtrack notes.
| Catalog Field | Confirmed Detail |
|---|---|
| Album title | Shin Onimusha: Dawn of Dreams Original Soundtrack |
| Associated title | Onimusha: Dawn of Dreams |
| Platform listed | PS2 |
| Publisher | Suleputer |
| Catalog number | CPCA-10157 |
| File count | 28 files |
| Reported duration | 1 hour, 12 minutes |
Start with the “Main Theme,” then compare it with the “Blue Oni Prologue ~ Blue Oni Theme” to hear the collection’s broad thematic range before exploring character-focused material.
The most reliable way to approach this album is to separate confirmed catalog facts from interpretation. The listing provides release metadata, credits, and two visible track names. It does not provide a fully reproduced 28-track list in the available reference material, so unnamed tracks should not be presented as confirmed titles.
Release details and soundtrack credits
The album’s production credits show a layered approach to the game’s music. Hideyuki Fukasawa is listed as the music composer, while Jamie Christopherson is credited with music for cinematics and with composition and orchestration. The orchestra was performed by the Northwest Sinfonia, with recording noted at Bastyr Chapel in Seattle, Washington.
Additional credits identify Simon James as the orchestra contractor, Charlie Adelphia for shakuhachi solos, and John Rodd for score mixing at Soundelux DMG. These details are especially useful for fans researching how traditional Japanese color, orchestral performance, and cinematic scoring come together in the soundtrack’s production history.
| Credit Role | Name or Group |
|---|---|
| Music composer | Hideyuki Fukasawa |
| Cinematic music | Jamie Christopherson |
| Composition and orchestration | Jamie Christopherson |
| Orchestra | Northwest Sinfonia |
| Shakuhachi solos | Charlie Adelphia |
| Score mixing | John Rodd |
| Orchestra contractor | Simon James |
Main Score
The primary game music credit is assigned to Hideyuki Fukasawa, making his name central to soundtrack research.
Cinematic Music
Jamie Christopherson is credited for cinematic music, composition, and orchestration within the listed production notes.
Traditional Color
Shakuhachi solos by Charlie Adelphia are specifically credited, adding an identifiable traditional instrument to the production profile.
Composer and performance credits describe production responsibilities; they should not be treated as a complete track-by-track attribution unless a specific booklet or official credit page confirms it.
For wiki readers, the credit split is important. A soundtrack can contain music written for regular play, cinematic sequences, character themes, and transitional material. The available data confirms the named roles above, but it does not assign every one of the 28 files to a particular composer or performer.
The album is also listed with the catalog number CPCA-10157. Use that identifier when comparing soundtrack references, collector records, or archival listings, because album titles can appear with slightly different English and Japanese formatting.
Confirmed tracklist and theme guide
Only two track names are visible in the supplied catalog details: “Main Theme” and “Blue Oni Prologue ~ Blue Oni Theme.” Both should be treated as confirmed entries. The listing also reports 28 files overall, which means the two visible names represent only part of the album rather than the entire tracklist.
The “Main Theme” is the clearest starting point for a general soundtrack session. The “Blue Oni Prologue ~ Blue Oni Theme” has a more specific narrative and character association in its title, making it a useful choice for fans studying how the album organizes story and identity.
| Track Position | Confirmed Title | Listed Length | Recommended Use |
|---|---|---|---|
| 1 | Main Theme | 3:36 | Opening reference and general album entry point |
| 2 | Blue Oni Prologue ~ Blue Oni Theme | 4:47 | Character and prologue-focused listening |
| Remaining files | Titles not visible in supplied data | Not confirmed | Verify through a reliable catalog or booklet |
Begin with the main theme
Play “Main Theme” first to establish the soundtrack’s primary entry point. Record the title exactly as listed, including capitalization.
Move to the Blue Oni theme
Follow with “Blue Oni Prologue ~ Blue Oni Theme.” Keep the full title intact because the prologue and theme labels are both useful for indexing.
Separate confirmed and unconfirmed entries
Mark the two visible titles as confirmed. Do not fill the remaining 26 positions with guesses, fan-made labels, or titles copied from another Onimusha release.
Add character-theme references
Use the Soki’s theme video as a separate listening reference. Keep video material distinct from the cataloged album tracklist unless an album source confirms the track relationship.
Archive the metadata
Save the catalog number, publisher, file count, duration, and credit information alongside the track notes for future verification.
Do not assume that every Onimusha soundtrack uses the same naming system. Keep titles from other series entries separate from the Dawn of Dreams album unless the source explicitly connects them.
A careful soundtrack index should preserve uncertainty rather than hide it. The supplied listing confirms the album’s scale and two track names, but it does not expose every title in the visible text. That limitation is useful editorially: it identifies which entries can be safely quoted and which require additional verification.
How to organize a soundtrack listening session
A structured listening session helps fans compare music without turning incomplete catalog information into speculation. Use the album metadata as the foundation, then organize notes around theme names, narrative context, and production credits.
| Listening Pass | Focus | What to Record |
|---|---|---|
| Pass 1 | Album identity | Title, publisher, catalog number |
| Pass 2 | Named tracks | Exact title, position, duration |
| Pass 3 | Character themes | Character association and reference link |
| Pass 4 | Production credits | Composer, orchestra, soloists, mixing |
| Pass 5 | Verification | Which details are confirmed or still open |
Catalog Pass
Confirm the album title, publisher, catalog number, platform listing, file count, and reported duration.
Theme Pass
Separate broad entries such as “Main Theme” from more specific titles such as the Blue Oni theme.
Credit Pass
Track composer, cinematic music, orchestration, orchestra, shakuhachi, and mixing information separately.
Archive Pass
Preserve source links and avoid replacing missing titles with guesses or unrelated Onimusha music.
Soundtrack Research Checklist:
- Record the album title exactly as cataloged
- Save catalog number CPCA-10157
- Verify the two confirmed track names
- Keep the 28-file count separate from the visible track titles
- Archive composer and performance credits with source links
A clean soundtrack page distinguishes album metadata, confirmed track names, listening references, and editorial interpretation. This makes the article easier to update when a verified booklet or catalog scan becomes available.
For a fan wiki, this method also improves search visibility. Exact titles support precise queries, while related terms such as original soundtrack, Soki’s theme, Blue Oni theme, Hideyuki Fukasawa, and CPCA-10157 help readers find the page through different research paths.
The catalog reference for the album can be reviewed at Shin Onimusha: Dawn of Dreams Original Soundtrack. Use it as a metadata reference, and verify availability and rights before accessing or sharing any audio files.
Reference notes and FAQ
The soundtrack’s available documentation supports a concise but useful profile: it is a Suleputer-published album connected with Shin Onimusha: Dawn of Dreams, listed for PS2, carrying catalog number CPCA-10157, and containing 28 files with a reported duration of approximately 1 hour and 12 minutes.
The strongest confirmed track references are “Main Theme” and “Blue Oni Prologue ~ Blue Oni Theme.” The Soki theme video is relevant as a character-focused listening reference because its title explicitly identifies Onimusha: Dawn of Dreams and Soki.
| Research Question | Current Answer |
|---|---|
| How many files are listed? | 28 files |
| Which publisher is listed? | Suleputer |
| What is the catalog number? | CPCA-10157 |
| Which tracks are confirmed here? | “Main Theme” and “Blue Oni Prologue ~ Blue Oni Theme” |
| Who is credited for the main music? | Hideyuki Fukasawa |
Q: What is the Onimusha: Dawn of Dreams soundtrack?
It is the cataloged original soundtrack associated with Onimusha: Dawn of Dreams, also identified as Shin Onimusha DAWN OF DREAMS. The listing describes a 28-file album published by Suleputer.
Q: How many tracks are confirmed in this guide?
Two track names are confirmed from the available catalog details: Main Theme and Blue Oni Prologue ~ Blue Oni Theme. The album has 28 files overall, but the remaining titles are not reproduced in the supplied listing.
Q: Who composed the soundtrack?
Hideyuki Fukasawa is credited for music. Jamie Christopherson is credited for cinematic music, composition, and orchestration.
Q: Is Soki's theme part of the confirmed album tracklist?
The supplied YouTube reference is titled Onimusha: Dawn of Dreams - Soki's theme, so it is useful for character-theme listening. However, the available catalog text does not confirm its exact album position or catalog title.
When expanding this page, add new track titles only after checking a reliable soundtrack booklet, publisher record, or clearly identified archival catalog. Preserve the original title formatting whenever possible.
The most dependable soundtrack page is not necessarily the longest one. It is the page that makes clear what is documented, what is a useful listening reference, and what still needs confirmation. For Dawn of Dreams, the available credits and catalog metadata already provide a strong foundation for a searchable music archive.